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On Love
Now this is a topic I’ve been thinking about a lot recently, since everything I read to do with acting seems to have something to do with it. Sticotti, about whom I just spoke at the Early Modern French seminar, argues, for instance, that both actors and authors need to have felt (or be feeling)…
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Queen and My Thesis
This idea for a post came to me during a run. Around the twelfth kilometre, as the endorphins were kicking in and the village of Coton disappearing behind me, Queen’s 1991 hit, The Show Must Go On came up on my playlist, and it struck me that the lyrics of the song – recounting Freddie…
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Marian Hobson-Jeanneret and My Thesis
Following on from my post on Anne Barton (née Righter), this post is dedicated to Marian Hobson-Jeanneret (née Hobson), and, more particularly, her book The Object of Art: The Theory of Illusion in Eighteenth-Century France, published in 1982. Like Barton’s Shakespeare and the Idea of the Play, this book grew out of Hobson-Jeanneret’s thesis, so…
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Anne Barton and My Thesis
I came across Anne Barton’s Shakespeare and the Idea of the Play on a nicely named ‘local interest’ shelf at the Chaucer Head bookshop, Stratford-upon-Avon. The title immediately leapt out at me, as it offered a way of formulating my own thoughts on Shakespeare and drama in the eighteenth-century: the phrase ‘the idea of’ neatly…