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Beinecke: Performance
This post is dedicated to the various passages found in those papers of David Garrick and William Smith, held at the Beinecke, which deal with the more theoretical side of performance. I already touched on this when writing about attitudes to French actors, so this piece will, in some ways, extend ideas already evoked there.…
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Marian Hobson-Jeanneret and My Thesis
Following on from my post on Anne Barton (née Righter), this post is dedicated to Marian Hobson-Jeanneret (née Hobson), and, more particularly, her book The Object of Art: The Theory of Illusion in Eighteenth-Century France, published in 1982. Like Barton’s Shakespeare and the Idea of the Play, this book grew out of Hobson-Jeanneret’s thesis, so…
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Reynolds vs Fielding (avec version française)
Over the course of his tenure as the first president of the Royal Academy of Arts, Sir Joshua Reynolds gave a series of Discourses, one a year, on the occasion of the annual prizegiving in December. These speeches were not easy to compose for a number of reasons: first, as delivered by the president of…